The Devil Wears Prada 2 is arriving soon; here are some iconic fashion trends to lookout from first film
The first film, which starred Anne Hathaway and Meryl Streep, delivered major style moments while highlighting Andrea, aka Andy, personal struggles with the moral conundrums of the fashion industry.

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The movie features a number of amazing office fashion moments that have solidified Anne and Meryl as the ultimate office sirens, thanks to costume designer Patricia Fields, who is also well-known for her work on Sex and the City.
Here are some trends on office fashion which is still relevant and charming.
It was one of the most stylish looks of the show, this black dress with the white cuffs. The ensemble is recognized as one of the initial sources of inspiration for the office siren craze that has taken the corporate world by storm in 2024.
This look is even more stylish now than it was before thanks to the red belt and quirky jewelry.
This knotted white blouse with a large black pearl necklace is an outfit that we can’t get enough of. The ensemble is balanced for an office-appropriate appearance by the dimensional neckline and hoop earrings, which add a sophisticated touch.
The white trench coat with a newsboy cap and large bag is a chef’s kiss—perfect for a chilly, rainy morning, especially when heading out for coffee.
The secret is to find an outfit that accentuates your best features and makes working at a desk all day comfortable. A checkered dress with an unusual neckline is one such option.
A short dress with high heels and hoops isn’t usually appropriate for the workplace, but a dress with a high neckline conveys strength and confidence. Similar to Miranda’s royal purple outfit, which exudes an air of high-end fashion magazine editor-in-chief.
Trench coats in shades of black and brown have been a wardrobe staple for the past few years, but a bold color with some in-style prints will never go wrong. This goes for shirts, pants, dresses, and especially skirts; pair them with neutral shoes and you’re set.
Adding a pop of color to a monochrome ensemble never fails to draw attention, as seen in Priestly’s bottle green coat and vermillion scarf
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